|
Selection from Script Interpretation Class: A Doll’s House by Henrik Ibsen (ADS0243)
|
1:58:00
-
2:32:00
|
More dramatic when asking the character questions this time, begins to get more emotional again, not completely in acting voice but partially
|
Rhetorical Device |
|
Selection from Script Interpretation Class: A Doll’s House by Henrik Ibsen (ADS0243)
|
1:35:00
-
1:37:59
|
Students laughing at her acting out
|
Student Interaction |
|
Selection from Script Interpretation: A Doll's House (ADS0168)
|
0:10
-
1:05
|
Adler has both hands on her spectacles for the beginning of the class, finally removing one to adjust paper on table. Her hand goes right back to her glasses.
|
Body Language |
|
Selection from Script Interpretation: A Doll's House (ADS0168)
|
2:54
|
After spending the beginning of the video making very subdued gestures with her fingers, not removing her hands from her glasses, Adler for the first time takes a hand off of her glasses to make large hand motions. She starts by tapping the table for emphasis.
|
Body Language |
|
Selection from Script Interpretation Class: A Doll’s House by Henrik Ibsen (ADS0243)
|
1:58:00
-
2:32:00
|
More dramatic when asking the character questions this time, begins to get more emotional again, not completely in acting voice but partially
|
Rhetorical Device |
|
Selection from Script Interpretation Class: A Doll’s House by Henrik Ibsen (ADS0243)
|
1:35:00
-
1:37:59
|
Students laughing at her acting out
|
Student Interaction |